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- BOB KATZ, THE ART OF MASTERING.
The previous definition is coming from the book “The art of mastering” which I consider to be the bible of the mastering engineer. Bob Katz wrote down things in a way that nor I or any other mastering engineer could have. It is right, clear and inspiring. For whom this definition is still not clear enough, mastering can be seen as a multipurpose process… Here are listed the basic reasons to get your mixes mastered by a professional:
Homogeniety:
For whom this definition is still not clear enough, mastering is the step where we try to make fit different mixes in a whole. What I mean by that is fairly simple: Some mixes has been done tired at 2am, others fresh as a flower at 9am; some of them sound crazy loud and others very soft… Now, the question is : How do we put them together on a same record ?
Standardization:
Another good reason to get your mix mastered is to sound good everywhere. The problem with mixes, is usually that they have been mixed in less than perfect acoustical environment, so by definition, they won’t translate well everywhere else. A mastering studio will have a near-perfection acoustically treated room and very flat monitoring setup in order to make a sound-good-everywhere version of this mix.
Loudness:
You want your mix to be competitive in terms of loudness ? Okay, but don’t do it yourself, because it is the best way to ruin in 10 sec an excellent mix. The mastering engineer will use its talent, knowledge and experience to make sure that your songs don’t suffer too much from gain reduction undesirable effects. Moreover, mastering engineers use high end gear that helps to conserve the integrity of the master.
