Posts Tagged ‘Variety of Sound’

Variety of Sound – Density MKIII (Review)

Thursday, June 28th, 2012

Recently, I reviewed the VOS Baxter EQ, which was out since a while already. Today, we’re going with something fresher; Variety of Sounds’ last baby: Density MKIII.

Overview

Graphically, MKIII looks very similar to MKII; excepting the logo, the new “Color” button is the only visible change. However, the whole sound engine has been rebuilt, thanks to the knowledge acquired by Bootsy during his work on stateful saturation. Moreover, Bootsie announced it has a “mastering-grade” compressor. Since I wasn’t a huge fan of DMKII, I needed to give it a try.

Hands-on

I remembered that DMKII was experiencing difficulties treating drums, so I decided to try this first. Suprisingly, as soon as I increased the drive button a bit, I could feel the difference. Sonically, MKIII has a complete different character than its predecessor.  Density compressed the whole unit, without artifacts or pumping effect. It sounded very transparent.  It reminded me the elegant behavior of an Elysia Alpha. DMKIII supported very well important gain reduction without loosing it. I could smash the drum in it and it sounded very good and analog.

elysiaalpha

“Sonically, MKIII has a complete different character than its predecessor [...] It reminded me the elegant behavior of an Elysia Alpha.”

 

Let’s talk about color

As mentioned before, a “color” button has been added to the GUI. By default, its value is at 0.50 and it’s sounds very good as is. Personally, I didn’t feel the need to adjust it during my first test, since I found it well balanced. It gave the little analogish sound I wanted on the drum. In other words, it just felt right. On my second test however, I decided to give it a try, but this time, on a vocal track. For the purpose of the experiment, I decided to exagerate the color button to hear what it got in the belly. There is nothing extreme here, but it does the job quite well. An interesting point to mention: it doesn’t sound cheap at all, in contrast to most crappy “warmer” freeware plugin we find everywhere.

In conclusion, I have been very surprised by the improvement made on the Density franchise. If they look closely the same, MKII and MKIII have nothing in common sonically; DMKIII possesses everything we could expect from a high end compressor. I never thought I would say this one day, but I think we’ve got ourselves a mastering-grade freeware compressor ! Cheers! (Overall rating: 4.8/5)

PLUS:

  • Sounds excellent
  • Color button
  • CPU efficient

MINUS:

  • Since it is a soft knee, we would need two stages of compression to achieve high gain reduction at low ratio.  But since it’s CPU efficient and free, It don’t think it’s going to be a problem.

 

Resources: 

Variety of Sound website:

http://varietyofsound.wordpress.com/

Variety Of Sound – Baxter EQ (Review)

Thursday, June 28th, 2012

In the small world of mastering, « do no harm » is the golden rule. That said, Bootsie (VOF) should not be surprised to hear about mastering engineers being skeptical about the potential of his BaxterEq as a mastering equalizer.

I’m no different of the others; I am very picky about the tools I add to my rack. Until now, very few free plug-ins have made their way through my signal path, especially on the master bus. However, I am glad that few good developers are bold enough to accept the challenge.

On a technical side, Baxter is a 64bit floating point internal processor. More interesting fact, it supports the mid-side treatment. Also, Baxter is ergonomic; it gives easy access to useful controls that help us working the frequency balance in few knob tweaks. Plus, it makes cut filtering very easy; I’ve been able to find the right balance of numerous songs almost instantaneously, thanks to bootsie smart design. Even if it is not able to do perform surgical notches, BaxterEQ has found itself very handy when it comes to finding a right tonal balance.

Unfortunately, free plugins still all have their drawbacks. One huge important detail is missing; a proper mastering equalizer must have a linear phase mode. Low latency mode can be interesting during the mixing process, but it is not a necessity for the mastering process. Like Bob Katz said, when we’ve tried a linear phase equalizer, it’s hard to go back to ordinary one. The good news is that I am still using BaxterEQ after few months, especially for personal projects. However, for external projects, I find myself switching to a more musical (expensive) equalizer once I found the tonal balance I was looking for.

In conclusion, there is no doubt that Bootsie is one of the best free plugin programmers, if not the best, and I encourage him to continue in this way. However, despite its incredible efficiency, the actual version of BaxterEq is not my to-go equalizer for mastering jobs since its phase shifting problem tends to irritate me. Though, I found Baxter very useful for vocal mixing applications. If a linear phase version of BaxterEq comes out one day, you can be sure that this one would be on the top of all my mastering templates. (Overall Rating: 4/5.)

Plus:

  • Ergonomic, practical and useful;
  • Mid-Side treatment;
  • 64bit internal processing;
  • Smooth sound;
  • Low CPU usage and latency.

Minus:

  • Linear phase mode missing;
  • Some bugs related to link channel

 

Resources:

Download link for preset bank from Quantum-Music:

http://www.quantum-music.ca/download/chrisdion-baxter-Preset-bank.rar

Link to Variety of Sound’s blog:

http://varietyofsound.wordpress.com/downloads/